![]() In the second version Kendall Coffin goes to work for a thinly disguised Disney knock-off as a storyboarder. Are there spirits of the dead infesting the house and subtly influencing Kendall? Maybe even to the point where he is committing murder without being aware of it? But as he explores his new house and finds new rooms full of Hollywood memorabilia and remnants of the former owner’s depravities it begins working on his conscious and subconscious mind. He settles down to his new life, meeting new neighbors, engages in romantic and business relationships and even gets himself a dog. That’s why Kendall is able to buy it cheap. As in any good haunted house story, the mansion is rumored to have been the location of depraved sexual acts, rampant drug and alcohol abuse, Satanic rituals, pedophilia, necrophilia, and Great Cthulhu himself only knows what all else went on in that joint. It’s a mansion that was built by an eccentric architect and owned by an even more eccentric Hollywood producer. In the first version, we have Kendall Coffin, a moderately successful comic book artist who due to an unexpected financial windfall is able to purchase an extraordinarily lavish and baroque Los Angeles mansion that looks like a cross between 1930’s Art Deco and a Mayan temple. ![]() ![]() Baron hadn’t gotten two versions of the same novel mashed-up together and mistakenly published them as one. About halfway into DOMAIN by Mike Baron, I was wondering if maybe Mr. ![]()
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